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A hand-sewn, and machined on a home machine, jacket in a late-1920s or early-30s style--or that's where I'm placing it, though it's hard to be accurate since it's not a commercial design, and there are certainly no labels of any kind. It's in a nice crunchy navy light wool twill, unlined and pocketless, distinguished by its deep turned back cuffs and the three inch waistband, ending in a half belt that fastens in front with one of the five gorgeous one-inch mother-of-pearl buttons. It's in amazingly good condition, with only a couple of tiny moth holes, not noticeable. And I think it looks amazingly modern.
Measurements: Bust 40", waist 32", shoulder 15", Length 30", sleeve 21"
STORY: I love this jacket, the poignancy of the not-quite professional finish. I'm imagining a lady in upstate New York--where I got it, near Cooperstown--modeling it on the Paris fashions, maybe wearing it to church (it's quite sober, not for nights out), being complimented by the neighbors. I'm embellishing, ok, but it has great charisma, being utterly unique in the world. I don't really want to part with it, but, well I have too much. Duh.
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FROM MARY FRANCES'S CLOSET This 1950s burlap circle skirt with green giraffe appliqué & hand painting is truly the most fabulous, silliest, most adorable garment ever... View full details
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FROM KATE SEKULES'S CLOSET A sweetly simple long-sleeved 1970s-does-Victorian black crepe turtleneck, with dropwaist, flared skirt, back zipper and seven self covered buttons at the... View full details
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FROM LADY STARLIGHT'S CLOSET This is a great little number to instantly punk up any old thing. It's cream leather lined in silvery beige acetate,... View full details