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A hand-sewn, and machined on a home machine, jacket in a late-1920s or early-30s style--or that's where I'm placing it, though it's hard to be accurate since it's not a commercial design, and there are certainly no labels of any kind. It's in a nice crunchy navy light wool twill, unlined and pocketless, distinguished by its deep turned back cuffs and the three inch waistband, ending in a half belt that fastens in front with one of the five gorgeous one-inch mother-of-pearl buttons. It's in amazingly good condition, with only a couple of tiny moth holes, not noticeable. And I think it looks amazingly modern.
Measurements: Bust 40", waist 32", shoulder 15", Length 30", sleeve 21"
STORY: I love this jacket, the poignancy of the not-quite professional finish. I'm imagining a lady in upstate New York--where I got it, near Cooperstown--modeling it on the Paris fashions, maybe wearing it to church (it's quite sober, not for nights out), being complimented by the neighbors. I'm embellishing, ok, but it has great charisma, being utterly unique in the world. I don't really want to part with it, but, well I have too much. Duh.
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FROM KATE SEKULES'S CLOSET A sweetly simple long-sleeved 1970s-does-Victorian black crepe turtleneck, with dropwaist, flared skirt, back zipper and seven self covered buttons at the... View full details
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FROM KATE SEKULES'S CLOSET Straight out of superfly land, circa 1973, here's a dark denim blazer and pant--it doesn't have to be a suit--with chestnut tipping and pocket... View full details
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FROM KATE SEKULES'S CLOSET This may be the most unusual bag I've ever seen, from Bottega Veneta or anyone. I want to call it a... View full details